I am a Brooklyn based sound mixer, sound designer, and composer and have been working in the film industry for the last 6+ years.  I have been captivated by the sonic world and music from a young age and was raised on the sounds of Björk, Kurt Cobain, Lady Gaga, k.d. Lang, and the numerous sounds of the woods where I grew up. While at NYU, I studied sound’s ability to be weaponized and also its ability to shape and manipulate a listener’s experience. I simultaneously worked to understand how to enhance visual imagery by learning the technical side of the field and honed techniques to capture quality sound during production as well as how to manipulate sound in post-production.  My work stems from my fascination with the sonic world and I work meticulously on set and off to deliver clean sounding audio for every project I'm a part of.

I have crewed on a variety of projects as a production mixer and have worked with companies such as Nike, Vanity Fair, Peacock, TIME, Forbes, Vogue, Little Cinema, Paramount+ and more.  Apart from my work with these companies, I have extensive experience in the doc and narrative spaces.  Whether it is doing sit down interviews with toy experts on the historical importance of Cabbage Patch Kids (Billion Dollar Babies), running through dust storms in Colorado with my sound team to record the sounds of cattle drives and haunting musical performances (Rebuilding), capturing every breath in a slow burn thriller (Somewhere Quiet), or chasing down man on the street interviews (Vogue), I have seen it all in my years as a mixer. My years working on the streets of NYC means I know how to be nimble and nearly invisible on any set. Whatever your sonic needs, consider adding me to your team!